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Stand Up To Cancer: Cancer Clinic Live

Presented by

Davina McCall

Executive Producers

Amy Flanagan
Emily Hudd
Emma Jay

Series Producer

Grace Goddard

Studio Director

Ian Russell

Producer / Directors

Brigid McFall
Maddie Henri

Senior Producer / Director

Alastair Duncan

Line Producer

Anni Wilmot

Producers

Chibuikem Oforka
Hayley Calvert

At the heart of the Stand Up To Cancer evening on Friday 12th December is a pioneering new live programme, Cancer Clinic: Live, presented by Davina McCall.  In a live broadcast direct from inside a special one-off cancer clinic at Addenbrooke’s Hospital in Cambridge, we meet patients and their families whose cancer journeys have been followed for several weeks from diagnosis to results, as they continue through treatment.

For the first time on UK television, audiences will see clinical consultations with cancer specialists from Addenbrooke’s and Royal Papworth Hospitals unfold in real time. The aim is to demystify what happens inside a cancer clinic, tackle the fear that prevents many from seeking help and show the life-saving impact of early diagnosis.

A Bango Studios and HiddenLight Co Production for Channel 4

Director of Production: Vicki Bax

Production Executive: Cherry Dorrett

Production Manager: Katie Williams

Editors: Jayesh Lathia, John McAvoy, Tim Hansen

Edit Producer: Danielle Spears

Executive Edit Producer: Daniel Barry

Assistant Producers: Coral Jones, Otto Hussain

Composer: Louis Dodd

 

The Million Pound Shaman Scam

Executive Producers

Liz Collier
Siobhan SInnerton

Series Director

Sam Miller

Series Producer

Alice Keane

Senior Producer

Laura Smith

Director and Camera

Adnan Ahmed

Line Producer

Alex Cavalier

2 part series.

In the wealthy London suburb of Hampstead, residents are scammed out a million pounds by a prolific fraudster who masquerades as a shaman.  

In 2008, veteran Sunday Times journalist Tim Rayment received a tip about an incredibly bizarre crime. The tale: an elite London community ensnared in a dark web of spiritual manipulation, South American shamanism, and millions of pounds in “sacrificial offerings.” At the centre of it all: a charming healer, a secretive woman, and an invisible man named Papa Freddie. 

The deeper Tim dug, the stranger it got. And it all began with a man named Keith Bender. 

Keith was a well-known Hampstead osteopath, trusted by celebrities, artists, and the quietly wealthy. But when Tim met him, Keith was a broken man. In a voice thick with shame and disbelief, he confessed: for more than a decade, he had unknowingly helped orchestrate one of the most bizarre faith frauds in British history. He hadn’t just witnessed it. He had lived it.  

It began in the mid-1990s. Keith’s life was crumbling – his marriage unravelling, his finances in ruins. Then into his clinic walked Marianne Nicholls. She was everything he needed at the time: warm, generous, intelligent, and above all—a listener. Over time, she became his confidante, his anchor and eventually, his guide into another world. 

One day, she shared her secret: she was a shaman, with connections to other powerful shamans in Suriname. Marianne invited Keith on an all expenses paid trip to the Surinamese rainforest where he met the enigmatic Papa Freddie. Keith witnessed shamanic healing and rituals and returned to London a firm believer. 

Then came the prophecy: Papa Freddie had seen the future – Keith was destined to develop cancer. But there was hope. The spirits would intervene… for a price. 

Terrified, Keith scraped together £25,000 – money he borrowed from one of his elderly patients, Sylvia Eaves and under Marianne’s guidance sent it to Suriname. 

The cash was allegedly placed on a sacred tree and Keith’s spiritual healing began. When the cancer never came, Keith believed the spirits had delivered him. He became a disciple. 

Grateful and convinced, Keith began evangelizing Marianne’s powers. He referred her to patients, friends, even celebrities. Hampstead’s most vulnerable began lining up, desperate for healing, for hope, for miracles. They handed over tens, even hundreds of thousands of pounds. One woman gave a quarter of a million to save her dying sister. 

Behind it all, Marianne moved like a phantom. No offices. No receipts. Just whispers, rituals, and reassurances. And Keith? He gave up everything for her. His career. His reputation, even his family. 

But in 2008 a series of bizarre coincidences led Keith to a horrifying truth: Marianne was not a shaman. She wasn’t even Marianne. Her real name was Juliette D’Souza – a seasoned con artist with many aliases and a long history of deception. 

The money was gone. The healing was fake.  

Worse still, Juliette had vanished. No one had seen her in two years. 

Keith and the other victims, reeling from betrayal, rallied for justice. But who would believe their story of shamans, spirits, and cancer prophecies? And somewhere out there, the woman who had orchestrated it all had slipped into the shadows once again. 

Where was Juliette D’Souza? 

And how many more lives had she touched? 

Editor: Dan Ablett

Director of Productions: Vicki Bax

Production Co-ordinator: Emily Farrell

Archive Producer: Emily Harris

 

KURSK: 10 Days That Shaped Putin

Written and Directed by

Becky Read

Produced by

Maria Drovnenkova 

Edited by

Dan Ablett

Set against a ticking clock, this two-part series tells an urgent story of political drama, military bravery, and loss in a defining moment in the history of modern Russia.

Kursk: 10 Days That Shaped Putin is a dramatic and forensic examination of events that took place in August 2000, after an explosion onboard the Kursk submarine trapped a group of survivors at the bottom of the Barents Sea. Why did the Russians take so long to accept international assistance? How did this crisis and subsequent reporting change Russia and importantly, how would it shape Putin’s own trajectory as the new President of Russia?

The film hears first-hand testimony from those involved from President Bill Clinton to families of the submariners and an American submarine Commander who witnessed it first hand, taking us behind the closed doors of the White House, and below the surface with rescue divers who finally make it down to the stricken submarine.

The series follows the search for the truth led by the brave lawyer who fought for justice, only to be forced into exile; and hears how President Putin – in his first 100 days of power – reacted to the disastrous press he received.

The story will be told using meticulously curated archival footage including world news, personal archive of the Kursk crew and their families, underwater footage of the rescue mission, disastrous government press conferences; and subsequent Russian propaganda peddling the Kremlin version of events – all of these elements will come together to offer a fresh perspective on 10 days in Russia that shaped a new president into the leader we see today.

Executive Producers: Liz Collier and Amy Flanagan

Directors of Photography: Brendan Easton and Marshall Rose

Music: Sarah Warne

Journalist: Vasilii Kolotilov

Archive Producer: Jack Lee Taylor

Development Executive: Katharine Fish

Director of Production and Operations: Victoria Bax

Line Producer: Laety Ducom

Production Coordinator: Doris Gogoe

Production Secretary: Michaela Whittle

 

Move Ya Body: The Birth of House

Directed by

Elegance Bratton

Produced by

Chester Algernal Gordon, Drake Burnette and Kati Davenport

In the chaos of Disco Demolition Night at Comiskey Park, a teenage usher named Vince Lawrence witnessed the fiery backlash against disco—a sound that defined freedom and pride.

Undeterred by the hostility, Vince used his earnings to buy a synthesizer, setting in motion a journey that would change music forever. Venturing into the underground sanctuary of The Warehouse, where Frankie Knuckles spun revolutionary sounds, Vince teamed up with Jesse Saunders to form Z Factor, a scrappy collective of visionaries who captured the pulse of Chicago’s underground on wax.

Their track, On and On, became the first recorded house music anthem, sparking a movement that transformed a local DIY culture into a global phenomenon. From those gritty Chicago streets to festival stages worldwide, Vince’s story is an electrifying testament to how a dream, born in the ashes of rejection, ignited a genre that continues to unite and liberate people across the globe.

 

A One Story Up and HiddenLight Production.

LAMF and Impact Partners present, in association with Artemis Rising Foundation

with the participation of Whitewater Films, with Freedom Principle Productions.

Executive Producers for HiddenLight: Hillary Clinton, Chelsea Clinton, Johnny Webb and Siobhan Sinnerton

Line Producer: Kati Davenport 

Director of Photography: Lisa Rinzler

Editor: Kristan Sprague & Jeremy Stulberg, A.C.E.

Music by: James Newberry

Music Supervisors: Bonnie Greenberg & David Helfant

Executive Music Producer: Vince Lawrence

Production Executive: Cherry Dorrett

Development Executive: Katharine Fish

 

 

Undercover : Exposing The Far Right

Director/Producer

Havana Marking

Producer

Natasha Dack
Amelia Watkins
RTS Award winning and Bafta nominated film, UNDERCOVER: EXPOSING THE FAR RIGHT is an explosive look at the racist ideology and media-savvy tactics of the modern far right – featuring secret investigations by the anti-fascist group Hope not Hate.
 
For the first time ever, HOPE not hate, the UK’s leading anti-extremist organisation, has allowed cameras to follow its team of investigators as they go undercover to expose the new extremists.
 
Following both well-known and obscure far-right figures across the UK and Europe, hidden-camera footage captures the unfiltered views of some of Britain’s most notorious extremists – people who claim to be patriots but whose ideas can sow division and unrest.
 
As the UK reels from the impact of the 2024 summer’s riots, Undercover: Exposing the Far Right reveals how the far right spread their hate-filled politics and exposes the shadowy Silicon Valley funder who gave money to the people behind an online platform disseminating discredited “race science” to legitimise prejudice among new audiences.

A MARKING INC/TIGERLILY PRODUCTION IN ASSOCIATION WITH HIDDEN LIGHT FOR BFI DOC SOCIETY FUND AND CHANNEL 4

Executive Producer for HiddenLight:

Siobhan Sinnerton

 

Cinematography:

Tom Turner

Oliver Ridley

Havana Marking

 

Editors:

Ross Hazell

John Thirlby

Kristy Jane Miller

 

Composer: 

Tara Creme 

 

 

Zurawski v Texas

Directed by

Maisie Crow and Abbie Perrault

Produced by

Amy Flanagan, Siobhan Sinnerton, Blye Pagon Faust, Cori Shepherd, Maisie Crow and Abbie Perrault

In an election year where the battle over reproductive healthcare rights is at the heart of America’s political discourse, Zurawski v Texas reveals a historic courtroom challenge led by women demanding change.

At the forefront is Amanda Zurawski, who suffered septic shock when doctors, constrained by restrictive abortion laws, refused to provide her with necessary medical care, leaving her ability to have children compromised.

Amanda’s story is not unique. Samantha Casiano, a mother of four, faced the devastating loss of her daughter, who was diagnosed with a fatal condition in utero. Forced to carry her baby to term, Samantha endured the heartbreak of her child’s near-immediate death. Lawyer Molly Duane leads the legal fight against a Texas law so oppressive that it has made doctors fearful of acting, even when their patients’ lives are at risk. Among these doctors is Austin Dennard, a plaintiff in the case who had to travel out of state to obtain her own abortion after learning that her pregnancy had a fatal diagnosis and a miscarriage was inevitable.

These deeply personal stories form the emotional core of Zurawski v Texas, a documentary that uncovers the traumatic consequences of restrictive healthcare legislation. The film exposes the staggering personal costs of near-total abortion bans and the relentless fight to restore essential healthcare rights.
 
Presented by HiddenLight Productions and Story Force Entertainment and Out Of Nowhere in association with Bumble inc. and Excellent Cadaver.

Executive Producers: Hillary Clinton, Chelsea Clinton, Johnny Webb, Bari Lurie, Jennifer Lawrence, Justine Ciarrocchi, Linda Himelstein, Laurie Michaels and Amy Metzler Ritter 

Co-Executive Producers: Lisa and Jeffrey Akin, Suzanne Lerner, Emily Liu Foy, Cristina Ljungberg, Nancy Mcgregor and Neal Manne, Gretchen Sisson, Amanda Stephens, Jacob and Terese- Hershey Foundation and The Boone Family Foundation  

Production Manager: Alex Cavalier 

Edited by: Austin Reedy

Director of photography:  Maisie Crow 

Music by: Osei Essed 

Director of Production: Victoria Bax

Production Executive: Cherry Dorrett 

Production Coordinator: Emily Farrell

 

 

Facing the Falls

Directed and Produced by

Celia Aniskovich

Produced by

Liz Yale Marsh
Cara Yar Khan

Edited by

Nick Lear BFE

Facing the Falls tells the story of international disability rights advocate, Cara Elizabeth Yar Khan. Deep in the throes of an aggressive, fatal muscle-wasting disease and no longer able to walk unassisted, Cara ventures out on a daring, 12-day expedition through the Grand Canyon.

Cara’s journey to live an extraordinary life and shatter stigma against people living with disabilities unexpectedly becomes a deep dive into fear, trust and vulnerability. As the entire expedition team grapples with unanticipated dangers in a truly remote wilderness, they also come face to face with their individual demons, insecurities, and internal conflicts. 

For further information and to WATCH NOW please visit https://facingthefalls.com/watch-now

Music: Anne Müller

Line Producer: Harian Taney

Executive Producers for HiddenLight: Hillary Clinton, Chelsea Clinton, Amy Flanagan, Siobhan Sinnerton

 

 

 

The Cranes Call

Directed and filmed by

Laura Warner

Produced by

Evan Williams

Edited by

Martin Kayser-Landwehr

The Cranes Call is the heart-pounding story of a mission to secure accountability for the mass atrocities occurring in Ukraine.

In this real time crime thriller set in a warzone, director Laura Warner embeds with war crimes investigator Anya Neistat and her team as they track down a group of survivors bold enough to take a stand against their families.

Working with the Clooney Foundation for Justice, led by Amal and George Clooney, Anya joins forces with Solomiia Stasiv, a young Ukranian woman just entering the field after witnessing the brutal invasion of her homeland. Together, they document evidence of human rights abusers in the fight to bring Russian commanders and soldiers to rial, and justice to the Ukranian people.  

Executive Producers for HiddenLight: Siobhan Sinnerton, Amy Flanagan, Johnny Webb 

Production Executive: Cherry Dorrett 

Production Manager: Alex Cavalier 

Production Secretary: Michaela Whittle 

Composer: Walter Mair 

Consultant Editor: Andy R. Worboys 



In the Shadow of Beirut

Co-directed by

Stephen Gerard Kelly and Garry Keane

Produced by

Brendan J. Byrne

Co-produced by

Myriam Sassine, Christian Beetz and Alison Toomey

In the Shadow of Beirut is a searing, cinematic portrait of modern-day Lebanon as seen through the eyes of four families living in the impoverished Sabra and Shatila neighbourhoods of the city.

Filmed over four years with unique access to the families within these largely no-go areas. In the Shadow of Beirut is marked by a deep intimacy with its subjects and a bold cinematic style, driven by emotive character-lead storytelling. Co-Director Stephen Gerard Kelly built up his relationship with the families at the centre of the film over a six-year period.

Produced by Belfast-based Cyprus Avenue Films. Co-produced by Beirut’s Abbout Productions, Republic of Ireland based Real Films and Berlin-based Gebrueder Beetz Filmproduktion. In association with HiddenLight.

Executive Producers for HiddenLight: Hillary Clinton, Chelsea Clinton, Siobhan Sinnerton, Johnny Webb 

Music : David Holmes & Tim Harries 

Editor: Iseult Howlett 

In the Shadow of Beirut

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Lyra

Directed, Produced and Written by

Alison Millar

Co-Produced by

Jackie Doyle

Assistant Producers

Orlaith MacIntyre and Sam Howard

An emotive, intimate, feature-length portrait of Lyra Mckee – the remarkable young journalist murdered in Northern Ireland in 2019 after a life fearlessly committed to truth and justice.

The story is told through her own work and words. Made by her close friend, BAFTA award winning documentarian Alison Millar. Award winning editor, Chloe Lambourne interweaves past and present archive to allow audiences intimately into Lyra’s world.

Produced by Erica Starling Productions for Channel 4, in association with HiddenLight, TG4 and Northern Ireland Screen.

Executive Producers for HiddenLight: Siobhan Sinnerton, Hillary Clinton, Chelsea Clinton 

Production Co-ordinator: Paul Howard 

Cinematographer: Mark McCauley 

Music: David Holmes 

Editor: Chloe Lambourne 

Lyra

In Her Hands

Co-directed by

Tamana Ayazi and Marcel Mettelsiefen

Produced by

Juan Camilo Cruz and Jonathan Schaerf

Line Produced by

Cherry Dorrett

Emmy Award winning film, In Her Hands, tells the story of Zarifa Ghafari, who at 26 became Afghanistan’s first female mayor and the youngest to ever hold the position.

The film documents her fight for survival against the backdrop of her country’s accelerated unravelling. As Western forces announce their retreat and the Taliban start their sweep back to power, Zarifa and women across the country face a new reality. Amid these tectonic changes, Zarifa must make the most difficult decision of her life.

Co-produced by HiddenLight, Propagate, and Moondogs.

Executive Producers for HiddenLight: Hillary Clinton, Chelsea Clinton, Siobhan Sinnerton, Johnny Webb, Roma Khanna 

Music: Michael Kadelbach 

Editing: Stephen Ellis ACE, Philipp Gromov and Inés Boffi 

In Her Hands

How Saba Kept Singing

Directed, Produced and Written by

Sara Taksler

Senior Producer

Karen M. Sughrue

Production Manager

Victor Couto

The Emmy nominated How Saba Kept Singing traces a remarkable journey revealing a touching firsthand account of how Saba, a Polish Jewish teenager, survived nearly three years in the camp. It illuminates his past as he travels with his grandson to Poland to commemorate the 75th anniversary of the camp’s liberation. The story is also brought to life through dynamic animation and David and Avi Wisnia’s music.

This film tells an uplifting story about faith, family and the power of discovery, proving love can grow and take hold in even the grimmest of places.

Produced by Retro Report, in association HiddenLight and Burnt Umber Productions.

Executive Producers for HiddenLight: Hillary Clinton, Chelsea Clinton, Johnny Webb, Siobhan Sinnerton 

Director of Photography: Wael Gzoly 

Original music: Jacob Shea and Bleeding Fingers Music 

Editor: Jackie Soriano 

How Saba Kept Singing

Gutsy

Directed by

Anna Chai, MJ Delaney, Amber Fares, Sally Freeman, Yu Gu, Joie Jacoby, Arlene Nelson and Cynthia Wade

Executive Produced by

Johnny Webb, Siobhan Sinnerton, Roma Khanna, Ken Druckerman, Banks Tarver and Anna Chai 

Based on The New York Times bestselling book, “Gutsy Women,” the eight-part series features intimate conversations with trailblazing women including Kim Kardashian, Meghan Thee Stallion, Jane Goodall, Gloria Steinem, Wanda Sykes, Amy Schumer, Goldie Hawn, Kate Hudson and many more.

The docuseries follows Hillary and Chelsea as they embark on a thought-provoking journey to speak with pioneering women artists, activists, community leaders and everyday heroes who show us what it truly means to be gutsy.

Produced by HiddenLight, in association with Left/Right LLC.

Executive Producers for HiddenLight: Hillary Clinton, Chelsea Clinton, Johnny Webb, Siobhan Sinnerton and Roma Khanna 

Produced by: Kevin Vargas and Claire Featherstone 

Executive in Charge of Production: Kyle Stratton 

Consulting Producers: Huma Abedin and Bari Lurie 

Editors: Jennifer McGarrity, Andrew Morreale, ACE, Sinead Kinnane, Beth K. Segal, Yeong-A Kim and Bobby Zeleny 

Director of Photography: Jeremy Leach 

Music by: Genevieve Vincent 

Music Supervisor: Robin Urdang 

Talent Producers: Melissa Chusid and Adrienne Elrod 

Gutsy

If I Could Tell You Just One Thing

Directed by

Lauren Jacobs

Additional Director

Becky Mansell

Series Produced by

Emma Taylor

The series sees Patricia in conversation with some of the world’s most inspirational women as they reveal their “Just One Thing”; the single piece of advice that encapsulates the way that guest live their life, and offers some clues into how they have achieved their success.

Alongside Patricia is a star studded line-up of guests to speak candidly and openly on topical issues as identity, motherhood, success and fearlessness with the view to unlock the secrets and journey of self-discovery these inspirational women have been on. Based on the bestselling book of the same name, this series in-turn spotlights Patricia’s own personal journey from humble beginnings to making-it as a creator, being a mother and entrepreneur as she openly explores future career plans.

Produced by HiddenLight.

Executive Producers: Nick Betts, Johnny Webb 

Field Producers: CJ Henry and Frank Driver 

Production Executive: Cherry Dorrett 

Production Manager: Laety Ducom 

Production Co-ordinator: Leah McDonald 

Casting: Jill Morgan 

Directors of Photography: Pete Allibone and Harvey Glen 

Composer: Jaja Kisses 

Editors: Dan MacDonald, Joe Swanson and Paul Bussey 

If I Could Tell You Just One Thing